Showing posts with label dvd review. Show all posts
Showing posts with label dvd review. Show all posts

Saturday, November 21, 2009

DVD Review: Seventh Moon (2008)


Moon Demons Are Creepy Yet Cool. This Ghost House Underground flick features a young engaged couple named Yul and Melissa (Tim Chiou and Amy Smart, respectively). The two have traveled to China to visit Yul’s family. Before heading for Yul’s ancestral home the couple do some sightseeing and souvenir gathering. After days of partying they crash in the back of their tour guide’s (Dennis Chan) vehicle as he drives them to their destination.

After a long drive through the dark roads of rural farmland the tour guide confesses that he is lost and stops by a village to ask for directions. A few hours pass by and a concerned Melissa wakes Yul and they search the eerily quiet town for him. What they discover is that this is the night of the Seventh Moon when the dead are free to roam among mortals.

In this case, the dead (known as moon demons) run away looking to feed on human flesh. The only way to keep the moon demons from snacking on you is to offer a live animal sacrifice. Since Yul nor Melissa have any chickens or cats to offer they have no choice but to run through the darkness of the countryside as they try to flee the clutches of the moon demons.
Seventh Moon is a pretty decent ghoul movie. Not totally scary but it has some redeeming qualities. First up are the moon demons themselves clad in ashen skin, bloodshot eyes and really violent tempers. They rend flesh with their gnarly nails and they’re hard to put down since they’re already dead.

I definitely felt bad for Yul and Melissa because they are trapped in the middle of nowhere. If they’re lucky enough to find another person they can barely communicate with him or her since neither can speak fluent English. Yul speaks a little, though, so it comes in handy but for the most part the couple is kept in the dark literally and figuratively.

The atmosphere is fertile ground for moments of terror. The couple runs through the grass and the trees in the dark with no weapons and no police station nearby. Of course the cell phone can’t pick up a signal and even when they have access to a car it’s still futile because they don’t even know where to drive to. Since there aren’t a lot of movies about moon demons Yul and Melissa have no idea what they’re dealing with. Their desperation and bewilderment is very palpable.

The plot is based on Chinese folklore so it’s a blast to see a ghost story told through the myths of another culture.
Yes, I know about Japanese horror but thankfully there are no whitewashed girls popping out of dark corners and strangling people with their long, black tresses. I love the sense of an undying ritual; a historic tradition that has passed from generation to generation.

What’s funny is that while watching the film I was hoping it would stay frantic and wild. I liked feeling that same confusion that the characters were feeling. And I made a mental note while watching that it would really kill the mood if the writers stuck some guy in there that would just explain everything taking away all the mystery that made the movie so intriguing. Of course, that’s exactly what happens. The couple eventually end up someplace where everything is spelled out and all the answers are laid before them. What starts as a chillingly unpredictable thriller  later becomes an uninspiring climax that lets out most of the scary air out of the balloon. I was grooving to the "less is more" concept and then they went and added more. Ugh.

Eduardo Sanchez directed Seventh Moon. If you check his credits your eye will probably be drawn towards The Blair Witch Project. The co-creator of that horror classic uses some of the same techniques in Seventh Moon limited light sources in the form of headlights, candles and a cell phone in one particularly tense scene.

Both the DVD and Blu Ray versions of Seventh Moon have a healthy assortment of special features. The featurettes cover the general making of the film, the creation of the moon demons, the mythology that the film was based on and more. Plus there’s a director’s commentary and trailers of other Ghost House Underground films.

The Damn Dirty DVD Review: Bruno

The Damn Dirty DVD Review: Bruno
I had high hopes for Bruno. I loved Borat. I thought it was unique, hilarious and creative. It was something we weren’t used to from Hollywood. I thought Sacha Baron Cohen was the next coming of Andy Kauffman. What was he going to give us next? The answer to that is Bruno, the story of an overtly gay Austrian fashion reporter coming to America to become a huge celebrity. On his journey, Bruno tries an American celebrity talk show, to become an actor, to start a celebrity charity event, modeling, create peace in the Middle East, seducing US Senators and ultimately become straight.

Unlike it’s predecessor, Bruno just completely falls flat. Unlike Borat, Bruno is one joke pulled out across 80 minutes. You know when you watch a one joke Saturday Night Live skit that runs about 5 minutes too long? Try 70 minutes too long for this one. Not that there isn’t anything funny in this film. There are a couple of chuckles here and there, but nothing fall down, laugh out loud funny. It’s an 80 minute gay joke.

Think of every place you would feel uncomfortable watching a supergay person interact with others and you’ve got this movie. Racists? Check. Government officials? Check. The Middle East? Check. With a group of hunters? Check. Religious Officials? Check. In Middle America during an MMA fight? Check. In the middle of a Gay Hate Parade? Check. That’s pretty much it. Sacha Baron Cohen went from the master of innovative thinking to the master of the gay cock joke.

There are some flashes of the brilliance that lies somewhere inside of Cohen. The entire sequence with the African baby is disturbing, ballsy and funny all at the same time. This is the kind of humor that Borat excelled at, but is completely lacking in most of Bruno. What is really depressing is that there is a really funny movie here, it was just left on the cutting room floor. The deleted scenes focus mostly on Bruno’s interaction with the fashion industry and Hollywood moms and is hilarious. Instead of going for the satire of a fashion model telling us how much therapy she had to have because she is so beautiful, Cohen thought we needed a scene with Bruno in the army, yet another place an obvious homosexual might have some issues.
 

   Another area Bruno lacks is believability. With Borat, we knew he was making a documentary so there was a reason for the camera to be there when he was filming his interaction with Americans. Though many scenes in Bruno were played off as a documentary to the participants, there are no such implications within the film itself. Several of those getting documented are aware of the camera and were paid for their appearances.

That brings us to another topic. With Borat everything seemed genuine, which was its charm. With Bruno, too much is set up. Case in point, Bruno pulls off in a scooter with his black baby just as a car pulls out and skids to a stop sideways just in time. Are we really supposed to believe that Cohen (or a stunt guy) would risk that chance that some random pedestrian would be quick enough on the brakes? I know there’s nothing wrong with a little stunt action in a Hollywood film, but when the basis of the film is real people and their reactions, I shouldn’t have to come away from each scene wondering if it was set up or not.

In the end, I think this film fails mostly because Bruno is just not that likeable. I found myself rooting for the other guy in the scene all too often. He’s goofy, he’s offensive but lacks sympathy. This is a movie that sounds cool when you try to explain scenes to your friends, but in the end it plays like the little publicity stunt between Cohen and Eminem at the MTV Movie Awards – just not that well.

Video
Video is in anamorphic widescreen, your standard 1.85:1 fair.

Audio
Dolby Digital 5.1 English Surround complementing by German dance music.

Special Features

Commentary: “Enhanced” commentary features Cohen and director Larry Charles. The enhanced part comes when film is actually stopped and/or picture within a picture technology is used. The commentary has good insight into the making of the film.

Additional Scenes: Scenes that didn’t make it into the movies including Pete Rose walking out on an interview from Bruno where Pete fights on behalf of the Mexicans he is using as furniture. Other additional scenes include a compilation of former government employees that got the same treatment as Ron Paul in the film proper with about the same response.


Deleted Scenes: More of the same. This includes the infamous LaToya Jackson scene where Bruno talks her out of her phone and gives his assistant Michael Jackson’s phone number in German. This was pulled from the film after Michael’s untimely death. The rest of the scenes here make the film so frustrating. There is really good stuff here, especially that involving the fashion industry. If Bruno has focused his attention on this more satirical and understated comedy, this film would have been tons better. Instead we get the same joke over and over.

Extended Scenes: Admittedly, the swinger party stuff is pretty funny.

An interview with Lloyd Robinson: An interview with Bruno’s Hollywood agent after he finally gets the joke. He seems okay with it.